梅亞奇全屋展廳設(shè)計(jì)

在營(yíng)造廚房的傳統(tǒng)交互形式之外，我們建議甲方改變了廚房吊柜的產(chǎn)品形態(tài)，利用智能升降五金，解決了常用吊柜450mm寬度門(mén)板縫隙的不美觀(guān)，解放吊柜形態(tài)的自由塑造。T臺(tái)步道連接了與廚房交匯的會(huì)客區(qū)，而步道的排布圍合方式也自然地形成了獨(dú)立的會(huì)客區(qū)。利用T臺(tái)的形式，完成了建材供應(yīng)商與到訪(fǎng)設(shè)計(jì)師建立關(guān)系的分享聚會(huì)模式切換。在聚會(huì)模式下T臺(tái)變成了舞臺(tái)，為設(shè)計(jì)師分享交流會(huì)提供了形式場(chǎng)地。

In addition to creating the traditional interactive form of the kitchen, we suggest that Party A change the product form of the kitchen wall cabinet, use intelligent lifting hardware to solve the unsightly gap of the commonly used wall cabinet 450mm width door panel, and liberate the free shaping of the wall cabinet shape. The catwalk is connected to the meeting area that meets the kitchen, and the arrangement and enclosing of the walkway naturally forms an independent meeting area. Using the form of the T stage, the switching of the sharing gathering mode for building materials suppliers and visiting designers to establish relationships was completed. In the party mode, the T stage becomes a stage, providing a formal venue for designers to share and exchange meetings.

我們讓空間本身形成律動(dòng)，用規(guī)則的傾斜梯形來(lái)營(yíng)造未來(lái)空間的秩序，形成與純白光線(xiàn)的交織。在自然采光最好、最柔和的部分，規(guī)則傾斜的梯形既是收納的柜體又是空間形式的一部分，兼?zhèn)洳牧蠘影宓倪x樣工作。我們希望啟發(fā)消費(fèi)者，柜體并非只能呆板的樹(shù)立在空間中，它可以用我們希望的姿態(tài)存在。另一部分則保持著一種精神秩序，被1/4黑色木飾面弧形曲面包裹的靜謐，在頂部鏡面的折射下，圍合成一個(gè)半圓，在垂直的鏡面中，又形成無(wú)線(xiàn)延伸的深邃空間，空間本身會(huì)形成宇宙的律動(dòng)，保持著一種黝黑所具有的無(wú)形的曠靜和陰翳。在這個(gè)空間下我們探討私宅書(shū)房、獨(dú)處、冥想空間的可能性。空間的秩序形成了安全感，也是一種有力的釋放。我們?cè)谄胶椭徐o觀(guān)，空間彌散的是自我存在的回聲，是自我在抗拒現(xiàn)實(shí)的引力，我們希望達(dá)成變化的永恒性，并且保持靜謐和純粹。

We let the space itself form a rhythm, and use regular inclined trapezoids to create the order of the future space, forming an interweaving with pure white light. In the part with the best and softest natural lighting, the regularly inclined trapezoid is both a storage cabinet and a part of the space form, and it also serves as a sample selection for material samples. We hope to inspire consumers that the cabinet can not only be erected in the space rigidly, it can exist in the posture we hope. The other part maintains a kind of spiritual order. It is quietly wrapped by a 1/4 black wood veneer curved surface. Under the refraction of the top mirror, it forms a semicircle. In the vertical mirror, it forms a deep space that extends wirelessly. , The space itself will form the rhythm of the universe, maintaining a kind of invisible tranquility and gloom that the dark has. In this space, we explore the possibilities of private home study, solitude, and meditation space. The order of space forms a sense of security and is also a powerful release. We are contemplating in peace, the space diffuses the echo of self-existence, the self-resisting gravitational force of reality, we hope to achieve the eternity of change, and to remain quiet and pure.

空間內(nèi)向，以恍白的模糊隔離城市煙火的單一，還原被快節(jié)奏吞噬的本能想象。為了表現(xiàn)純凈未來(lái)的空間，我們用半高的白色皮質(zhì)隔墻組合和紙玻璃，讓空間形成一種透氣的包裹感，保留自然光感的同時(shí)也遮擋了外墻幕墻的雜亂。更好的讓體驗(yàn)者關(guān)注展廳本身，把注意力融入空間內(nèi)，去體驗(yàn)產(chǎn)品，感受空間。

The space is introverted, isolating the singleness of the city's fireworks with a white blur, restoring the instinctive imagination swallowed by a fast pace. In order to express the pure future space, we used half-height white leather partition walls combined with paper glass to form a breathable wrapping feeling in the space, while retaining the sense of natural light, but also shielding the clutter of the exterior wall and curtain wall. Better let the experiencer pay attention to the exhibition hall itself, put their attention into the space, experience the product, and feel the space.

我們常常在想，在市場(chǎng)上充斥同質(zhì)化嚴(yán)重的白色空間、材質(zhì)單一的當(dāng)下，該如何營(yíng)造空間內(nèi)的不同情緒表情。我們利用RGB延時(shí)燈帶來(lái)解決問(wèn)題，當(dāng)夜晚燈帶投射到玻璃上留下漸變的色彩，呈現(xiàn)出另一種異常氛圍，極光、迷幻、未來(lái)都是空間感受的縮寫(xiě)。我們可以去幻想這些玻璃變成了未來(lái)私宅的玻璃幕墻，提供一種新的建筑材料的構(gòu)想。室外的景觀(guān)可以隨意切換，在叢林深處，在荒蕪的星球，在幽靜的海底。無(wú)盡白晝的流星，宇宙黑夜嶄新的明亮，幻想不同天色情緒的豐富變化，關(guān)于炙熱、冷冽、張揚(yáng)克制、迷幻和真實(shí)。以光的變化去感受空間情緒的瞬變，空間包容的放肆的張牙舞爪，是等待回歸的宣泄后的平靜。

We often wonder how to create different emotional expressions in the market when the market is full of white spaces with serious homogeneity and single materials. We use RGB time delay lights to solve the problem. When the lights are projected on the glass at night, they leave a gradual color, presenting another abnormal atmosphere. Aurora, psychedelic, and the future are all abbreviations for spatial feeling. We can imagine that these glasses have become the glass curtain walls of private houses in the future, providing a new concept of building materials. The outdoor landscape can be switched at will, in the depths of the jungle, on the deserted planet, and on the secluded seabed. The endless day shooting stars, the new brightness of the universe night, the imaginary rich changes of different sky and mood, about the hot, cold, public restraint, psychedelic and reality. Feel the transient changes of spatial emotions with the change of light, and the presumptuous spreading of teeth and claws in the space is the calm after the catharsis waiting for the return.