金屬以其冰冷質(zhì)感滿足了我們對(duì)未來的想象，Oskar Zieta-椅子用薄如紙的鋼材液壓成型，室內(nèi)設(shè)計(jì)師高壓膨脹下形成三維物體形態(tài)，并使用獨(dú)特的FiDU（氣壓成型法）使作品呈現(xiàn)出獨(dú)特的未來感。椅子銀色金屬質(zhì)感與邊幾清透藍(lán)色亞克力材質(zhì)的結(jié)合，與大地色的空間融合帶來一種干練利索的和諧感。

Metal satisfies our vision of the future with its cold texture. Oskar Zieta --TheChair is hydraulically formed from paper-thin steel, which is expanded under high pressure to form a three-dimensional object. The unique FiDU (pneumatic molding) is used to create a unique sense of the future. The union that chair silvery metal feels simple sense and edge a few clear clear blue yakeli qualitative material, the space confluence with earth color brings a kind of able and agile harmony feeling.

《小黑泥》藝術(shù)版畫置于二樓空間展示區(qū)，在空間中既不突兀又純粹讓空間變得靈動(dòng)了起來。小黑泥是青年藝術(shù)家冀皓天創(chuàng)作的系列作品，小黑泥是一種閉上眼睛的狀態(tài)，是無法用語言表達(dá)的視覺變現(xiàn)。是“向內(nèi)看”的載體，只關(guān)注自己感受的世界，閉上眼睛放大感受世界的美妙。

The art print of "TheLittle Black Mud" is placed in the exhibition area of the second floor space, which is not abrupt but pure and makes the space become clever.  "TheLittle Black Mud" is a series of works created by young artist Haotian Ji. Little black mud is a kind of state with eyes closed and a visual realization that cannot be expressed in words. It is the carrier of "looking inward", focusing only on the world you feel, and magnifying the beauty of the world by closing your eyes.

我們?cè)陧?xiàng)目細(xì)節(jié)中試圖打破產(chǎn)品屬性與藝術(shù)屬性之間的定義，將藝術(shù)創(chuàng)作的不確定性引入產(chǎn)品設(shè)計(jì)當(dāng)中，用設(shè)計(jì)手段與人產(chǎn)生關(guān)系。相較于物質(zhì)的材料屬性，更在意物質(zhì)本身具有不確定性或非常態(tài)的藝術(shù)性特質(zhì)。

In the project details, we try to break the definition between product attributes and artistic attributes, introduce the uncertainty of artistic creation into product design, and create a relationship with people by means of design. Compared with the material properties of the material, they pay more attention to the uncertain or abnormal artistic qualities of the material itself.