超現(xiàn)實(shí)主義的“反常合道”

The " paradoxical harmony " of surrealism

在超現(xiàn)實(shí)主義繪畫(huà)中，畫(huà)家們開(kāi)始探索自己非理性的一面，以找到新的創(chuàng)作自由。裝修設(shè)計(jì)雖然超現(xiàn)實(shí)主義繪畫(huà)作品情景奇異怪誕，與現(xiàn)實(shí)格格不入，體現(xiàn)了“反?！钡奶卣?，卻具有超越時(shí)間和空間的永恒感，給人以靈驗(yàn)、虛無(wú)的感覺(jué)，隱喻著人和宇宙破裂卻又相互聯(lián)系的矛盾，充分體現(xiàn)了“反常合道”的藝術(shù)魅力。

In surrealist paintings, artists began to explore their irrational side in order to find new creative freedom. Although the scenes of surrealist paintings are strange and bizarre, which are incompatible with the reality and embody the characteristics of "abnormality", they have a sense of eternity beyond time and space, giving people a sense of efficacies and nihility. They are metaphors for the contradiction between people and the universe which is broken but interrelated, and fully embody the artistic charm of "paradoxical harmony".

“反常合道”本是中國(guó)古典美學(xué)概念，“反?！笔侵副砻嫔蠈?duì)現(xiàn)實(shí)的扭曲，卻能形成藝術(shù)中的奇趣，造成藝術(shù)中的新奇效果。但“反常”必須“合道”，也就是說(shuō)：雖出意表之外，卻在情理之中，即“反生活常理而合乎藝術(shù)之道”。

"Paradoxical harmony" is a Chinese classical aesthetic concept. "Paradoxical" refers to the distortion of reality on the surface, but it can form the strangeness in art and create the novel effect in art. "Abnormal" but still "congenial", that is to say: although out of the meaning, but in the common sense, that is, "contrary to the common sense of life but in line with the way of art.

超現(xiàn)實(shí)主義最具代表性的三位藝術(shù)家：米羅、達(dá)利與瑪格利特

The three most representative artists of surrealism are Miro, Dali and Margaret

在室內(nèi)設(shè)計(jì)中，軟裝也在踐行這種“反常合道”的矛盾卻又和諧的美學(xué)邏輯：

In interior design, soft decoration is also practicing the contradictory yet harmonious aesthetic logic of "paradoxical harmony" :

在保證一貫的現(xiàn)代風(fēng)格的基礎(chǔ)上，裝修設(shè)計(jì)增強(qiáng)了主要家具的造型感和戲劇感，例如客廳的單人沙發(fā)、客餐廳的燈具等，具有強(qiáng)烈的科技感；

On the foundation that assures consistent and contemporary style, enhanced the modelling feeling of main furniture and dramatic feeling, the lamps and lanterns of the individual sofa of the sitting room, guest dining-room for example, have strong sense of science and technology;

在大色調(diào)上面，運(yùn)用了黑白灰為基礎(chǔ)色，利用紅色和藍(lán)色兩個(gè)撞色來(lái)強(qiáng)化視覺(jué)沖擊，裝修設(shè)計(jì)同時(shí)大量運(yùn)用了熒光色的透明亞克力、突出光影效果的玻璃、干凈利落的亮金屬等材質(zhì)細(xì)節(jié)，把“超現(xiàn)實(shí)主義”中的前衛(wèi)感做到極致；

Black, white and grey are used as the base color, and red and blue are used to enhance the visual impact. Meanwhile, the transparent acrylic of fluorescent color, the glass that highlights the light and shadow effect, the clean and agile bright metal and other material details are used to make the avant-garde sense in the "surrealism" the ultimate.

在藝術(shù)品運(yùn)用上，WED中熙設(shè)計(jì)始終堅(jiān)持“有靈魂的設(shè)計(jì)應(yīng)該配合真正的藝術(shù)品”的理念，裝修設(shè)計(jì)在項(xiàng)目中與多位才華橫溢的藝術(shù)家合作，以呈現(xiàn)業(yè)主的藝術(shù)造詣和熱愛(ài)。

In terms of the application of artworks, WEDesign always adheres to the concept of "soulful design should cooperate with real artworks", and has cooperated with many talented artists in the project to present the artistic attainment and passion of the owner.

致敬藝術(shù)家：米羅、達(dá)利與馬格里特

Tribute to artists: Miro, Dali and Magritte

超現(xiàn)實(shí)主義繪畫(huà)有三位十分重要又影響深遠(yuǎn)的藝術(shù)家：馬格里特（Magritte Rene）、薩爾瓦多·達(dá)利（Salvador Dali）和米羅（Joan Miro），WED中熙設(shè)計(jì)在項(xiàng)目創(chuàng)作的過(guò)程中，深受這幾位藝術(shù)家的作品啟發(fā)，并從中提取元素，在室內(nèi)軟裝向幾位藝術(shù)致敬。

Magritte Rene, Salvador Dali and Joan Miro are three important and far-reaching surrealist artists. In the process of project creation, WEDesign got inspired by these artists, and extracted art elements to use in the soft decoration.

米羅（Joan Miro，1893—1983），西班牙著名的畫(huà)家和雕塑家。他的創(chuàng)作表現(xiàn)方式是有意地打亂知覺(jué)的正常秩序，在直覺(jué)式的引導(dǎo)下用一種近似于抽象的語(yǔ)言來(lái)表現(xiàn)心靈的即興感應(yīng)。因此在它的作品中會(huì)有象征的符號(hào)和簡(jiǎn)化的形象，使作品帶有一種自由的抽象感，也有兒童般的天真氣息，是被人們認(rèn)為“把兒童藝術(shù)、原始藝術(shù)、民間藝術(shù)揉為一體的藝術(shù)大師”。

Joan Miro (1893—1983), is a famous painter and sculptor of Spain. His way of expression is to deliberately disrupt the normal order of perception and to express the impromptu induction of the mind in a language close to abstract under the guidance of intuition. Therefore, there are symbolic symbols and simplified images in his works, which make his works have a sense of free abstraction and childlike innocence. He is regarded as "an artist who integrates children's art, primitive art and folk art".

以米羅的代表作《哈樂(lè)群的狂歡節(jié)》為靈感和配色指導(dǎo)，裝修設(shè)計(jì)師完成了客餐廳的軟裝設(shè)計(jì)：塊面的表達(dá)、不同的幾何形體、豐富的材質(zhì)組合、比例奇異的器皿，好似這幅畫(huà)面中的一個(gè)個(gè)物品，看似毫不相關(guān)卻有出奇和諧；

With Miro's representative work " Harlequin's Carnival " for inspiration and color guidance, the designer completed the soft decoration design of guest restaurant: block surface expression, different geometric forms, rich material combination, strange proportions of utensils, like a piece of this picture, seemingly unrelated but surprisingly harmonious;