項目名稱 | 洛麥絲養(yǎng)發(fā)中心空間設計

項目地點 | 深圳

項目面積 | 50㎡

空間設計 | WED中熙設計事務所

設計團隊 | 鄭安迪、鄭健陽、莫偉倫、鄭熙

完成時間 | 2019年12月

攝 影師| 聶曉聰

在城市綠洲，駛向心靈的列車

In the urban oasis, the train to the soul

在深圳中心，被隱秘氣息環(huán)繞的歡樂海岸藍楹灣度假酒店，養(yǎng)生品牌洛麥絲向1995年的知名文藝電影《愛在黎明破曉前》和旅行致敬。電影主人公杰西和賽琳相悅交談的火車車廂，啟發(fā)設計師記錄這段心靈之旅，并以空間續(xù)寫這部經(jīng)典。

At the mysterious Shenzhen Bay Breeze Resort in central Shenzhen, the health brand LuoMax pays tribute to the 1995 romance movie "Before Sunrise" and travel. The train car where the movie's protagonist Jesse and Selina met each other inspires the designer to record this spiritual journey and continue writing this classic with space.

對于當今的高端商業(yè)場所來說，缺乏氣氛就是沒有個性，對于見多識廣的客人而言，會講故事的空間才是吸引人的場所。在深圳城市中心，擁有得天獨厚環(huán)境的商業(yè)綜合體歡樂海岸，被濕地、海灘、內(nèi)湖所環(huán)繞，以“城市度假”的概室內(nèi)設計師念，營造出隱秘、低調(diào)的氛圍，而位于其度假別墅藍楹灣酒店的養(yǎng)生品牌洛麥絲，正是希望向高端客人提供這份難得的都市靜謐享受。

For today's high-end business venues, the lack of atmosphere means no personality. For the well-informed guests, the space that tells stories is the attractive place. In central Shenzhen, the OCT Harbour of a commercial complex with a unique environment is surrounded by wetlands, beaches, and inner lakes. With the concept of "urban vacation", it creates a secret, low-key atmosphere. The health brand LouMax, which is located in the Shenzhen Bay Breeze Resort of OCT Harbour, hopes to provide such rare urban tranquil enjoyment to high-end guests.

當極其狹長的空間交到WED中熙設計手中的時候，周圍的風景和暗光的走道讓人想起了著名文藝電影《愛在黎明破曉前》中的列車，男女主人公在前往維也納的列車上相對而坐，而窗外流動的風景，成為他們一見傾心的背景。室內(nèi)設計師

When the extremely narrow and long space was handed over to WE Design, the surrounding scenery and dark walkway reminded them of the train in the famous literary film "Before Sunrise". The hero and heroine was facing each other on the train to Vienna while the scenery flowing outside the window became their favorite background at first sight.

所以空間所特有的狹窄、低采光特點被設計師放大成項目優(yōu)勢，并選用黑色鏡面的材料，讓這種效果更加戲劇化。室內(nèi)設計師

Therefore, the unique narrow and low lighting characteristics of the space were enlarged by the designer as advantages of the project, and the use of black mirror materials made the effect more dramatic.

而列車中的氛圍和細節(jié)，則保持著精致與優(yōu)雅：選用深沉、溫馨的材料如木飾面、絨布，以墨綠色作為主色調(diào)，和木飾面搭配，配以金屬點綴，讓整個空間品質(zhì)感得以提升。在照明設計方面，取消主光源，均以暗藏燈作為照明，室內(nèi)設計師讓燈光在空間里達到“見光不見影”的效果。

The atmosphere and details of the train remained refined and elegant: the use of deep, warm materials such as wood veneer and flannel, with dark green as the main color, matched with wood veneer and metal embellishments to improve the entire quality of the space. In terms of lighting design, the main light source was eliminated, and hidden lights were used as lighting, so that the lights could achieve the effect of "seeing light but not shadow".