項(xiàng)目名稱：Wanwea·元餐廳

項(xiàng)目地點(diǎn)：北京市朝陽區(qū)姜莊路富成花園89號(hào)

項(xiàng)目面積：1000㎡

設(shè)計(jì)時(shí)間：2022年8月

開業(yè)時(shí)間：2023年11月

設(shè)計(jì)公司：北京天作空間設(shè)計(jì)公司

公司官網(wǎng)：www.tanzospace.com

主創(chuàng)設(shè)計(jì)：王大泉

設(shè)計(jì)團(tuán)隊(duì)：靳平，馬紅旭，張向榮

燈光設(shè)計(jì)：光宴盛品燈光設(shè)計(jì)（深圳）有限公司

景    觀：荒野植物園

藝術(shù)陳設(shè)：北京七加三國(guó)際藝術(shù)有限公司&東見藝術(shù)設(shè)計(jì)（北京）有限公司

文案策劃：NARJEELING那幾嶺

項(xiàng)目攝影：TOPIA圖派視覺

2023年11月，大鴨梨餐飲集團(tuán)下高端餐飲品牌Wanwea·元餐廳低調(diào)啟幕。TANZO天作空間王大泉說這是一次有點(diǎn)痛苦的設(shè)計(jì)過程，如勁草出罅隙，但最終的成果也和餐廳的名字彼此映襯：在混沌太空里，描摹出一個(gè)抽象、整體的起始，然后隨著人的進(jìn)入，一切變得生動(dòng)具象起來。

In November 2023, the upscale restaurant brand Wanwea·Yuan under the Da Ya Li Restaurant Group quietly launched. DaQuan Wang from TANZO Space Design described the design process as somewhat painful like tough grass breaking through cracks. Still, the final result also reflects the name of the restaurant: Sketching an abstract, holistic beginning in a chaotic space, which becomes vivid and concrete as people enter.

但空無不意味著荒蕪，絕佳的地理位置和環(huán)境條件使建筑的可能性變得寬廣，也有了建成后不同的到訪者對(duì)Wanwea·元的多向解讀。在老朋友荒野植物園的協(xié)作下，穿插互構(gòu)的內(nèi)外庭院與建筑主體重新凝聚了這一地塊，圍繞如母親般的河柳創(chuàng)造整個(gè)園子的生命狀態(tài)。草坪、踏步、水面切割出庭院自近而遠(yuǎn)、自下而上的景致，明晦沖融、重疊縹緲。

However, emptiness does not imply desolation. The exceptional geographical location and environmental conditions have broadened the possibilities for architecture, allowing for diverse interpretations of Wanwea·Yuan by different visitors after its completion. In collaboration with the Wild Garden, the interwoven interior and exterior courtyards, along with the main building, have redefined this plot of land, creating a life-like atmosphere around the river willows, as if nurturing the entire garden. The lawn, stepping paths, and water surface carve out a view of the courtyard that unfolds from near to far, from bottom to top—an intricate interplay of light and shade, blending and overlapping in an ethereal way.

穿行于庭院時(shí)，東方和西方感并不鮮明，源于設(shè)計(jì)師意識(shí)到園林只是一種林泉觀的再現(xiàn)，或說是一種神仙境界的營(yíng)造，并沒有絕對(duì)營(yíng)造法式，反而使Wanwea·元的庭院有了不拘泥于地方文脈，圓融大觀的神采。

As one moves through the courtyard, the distinction between Eastern and Western sensibilities is not immediately apparent. This stems from the designer's realization that the garden represents a forest-and-spring landscape, or perhaps an attempt to create a divine realm, without adhering to a fixed architectural style. This approach allows the courtyard of Wanwea·Yuan to transcend regional traditions, embodying a harmonious and expansive aura. 

在中國(guó)歷史上，《山經(jīng)》篳路藍(lán)縷，劈開鴻蒙，敘列山川，用一種上帝般兼顧宏觀與微觀、既總攬大千又洞察幽微的目光載記萬物?；蛟S是因?yàn)楹髞淼娜藗儐适Я斯湃怂?jīng)登臨的高度，因此也沒有了古人曾有過的眼光，將彼時(shí)風(fēng)景只作神話怪談。

Wanwea·元想造一個(gè)把人們帶入迷人之境的過程，“想象中的境地”貫穿始終：川蜀大地的奇險(xiǎn)；熱烈堅(jiān)毅的民風(fēng)；靈動(dòng)精巧的風(fēng)味；神異奇絕的風(fēng)物......空間以更廣大、更具有想象余地的圖景承托它的多源性和勃勃雄心，這是品牌和設(shè)計(jì)師埋在空間深處的精神寄望。

In Chinese history, the 'Classic of Mountains' forged paths through chaos, opening up the primordial void, cataloging rivers and mountains with a god-like perspective that encompassed both macro and micro views—capturing the universe yet also discerning the subtleties of all things. Perhaps it is because later generations have lost the heights once reached by the ancients, and with that, the vision they once possessed, relegating those landscapes to the realm of myths and legends.

Wanwea·Yuan aims to create a process that transports people into an enchanting realm. The 'imagined landscapes' are consistent throughout: the perilous terrains of Sichuan; the warm and resolute local customs; the lively and exquisite flavors; the marvelous and extraordinary natural sights... The space supports its multivalence and vigorous ambitions with broader, more imaginative vistas, embedding the brand and designer’s spiritual aspirations deep within the space.

現(xiàn)場(chǎng)工人師傅按照設(shè)計(jì)師“砌煙囪”的施工指導(dǎo)，完成了餐廳入口向上伸展凝望的墻體造型。就從這如抻開的書卷般的建筑臂展中，沿著潔凈有力的實(shí)墻，掠過灰磚托起的纖薄水面進(jìn)入規(guī)整的入口。

Under the designer's 'chimney construction' instructions, the site workers completed the restaurant entrance’s upward-stretching wall structure. From this architectural embrace, resembling an unfurled scroll, one proceeds along the solid, clean walls, gliding over the slender water surface supported by grey bricks, to enter the orderly entrance.