柔和的木墻體褶皺折射出幽微的暖光，佛手狀的巨型“葉片”從中而生遮蔽天花，涌動的神力在盡頭化作一支巨大的參數(shù)化金屬葉片，昂揚閃耀，此前積蓄的浪潮傾刻匯入自然的汪洋，重歸寧靜。

The soft wooden walls, with their folds and creases, reflect a subtle warm light. Giant "leaf-shaped" structures, resembling Buddha's hand, emerge from within, casting shadows upon the ceiling. The swirling divine energy culminates at the far end, transforming into a large parametric metal leaf, rising and shimmering. The waves of accumulated power suddenly merge into the vast ocean of nature, returning to a state of tranquility.

包房則可以視為一個內(nèi)部獨立體，它與其連通的茶室和更深處的娛樂空間形成了一個可以獨立探索的路徑和小世界。天光與火的意象在包房中點題，藝術(shù)性幻化為深遠(yuǎn)的色彩、精雕的現(xiàn)代藝術(shù)、浮動的音律、藤蔓低語的暗影。

The private room can be seen as an independent space, creating a path and a small world that can be explored on its own, interconnected with the tea room and deeper entertainment areas. The imagery of daylight and fire is central to the private room, where art transforms into profound colors, intricately crafted modern art, floating melodies, and the whispered shadows of creeping vines.

細(xì)致入微地看，并非所有細(xì)節(jié)都是清晰的，設(shè)計師用自己的方式控制空間在虛實之間的巧妙轉(zhuǎn)化。

Upon closer inspection, not all details are clear-cut; the designer skillfully controls the subtle transformation of the space between the real and the imagined, using their approach to create a delicate interplay of presence and absence.

進(jìn)入娛樂區(qū)后空間驟然炫目。但并非亦步亦趨地造視覺奇觀，而是用一種更博大的靜謐盛裝娛樂性。設(shè)計師將不銹鋼切割為100mm×100mm的三角形不銹鋼切片手工焊接，與吸引材質(zhì)工藝融合覆蓋立面到天花。

Through the entertainment area, the space suddenly dazzles. However, it does not merely follow a trend of visual spectacle; instead, it adorns entertainment with a grand, tranquil elegance. The designer meticulously cuts stainless steel into 100mm×100mm triangular pieces, which are then hand-welded and integrated with captivating materials and craftsmanship, covering both the fa?ade and the ceiling.

光源設(shè)于地面，不銹鋼的“湖面”永恒反射著此時此刻具體的人和場景，冷峻理性的材料托起超然和感性，對娛樂空間的路徑開創(chuàng)是空間的另一重驚喜。

The light source is placed on the ground, with the stainless steel "lake surface" eternally reflecting the people and scenes of the present moment. The cold, rational material elevates the transcendent and the sensory, creating another layer of surprise in the path that leads through the entertainment space.

小宴會廳形制如密檐式塔的屋面，木結(jié)構(gòu)里出外進(jìn)層層堆疊，樹影斜落，解決了屋面低矮的結(jié)構(gòu)問題。雖無法登臨，卻由于仿若空腔的內(nèi)部得以從底部觀看，天空一無所有，磅礴的意念已扶搖直上。

The small banquet hall is shaped like the roof of a pagoda, with its wooden structure layering inward and outward in a stacked formation. Shadows of trees fall at an angle, addressing the issue of a low roof structure. Though it is not accessible from above, the interior, resembling a hollow space, can be viewed from below. The sky above is empty, and the immense idea within has soared upward, untethered.